Late last summer, a friend of mine, Peter Gesell,
invited me to spend a weekend in Bayfield, WI,
rigging and sailing a 28' vintage design, recently
built, wooden cutter that had come to his
attention earlier that year. She was one-quarter
scale version of a late 1800’s West Coast lumber
hauler. A blunt entry at the bow, a rail well
above her deck, hefty cabin sides, a spacious
working deck, powered by a double headed gaff rig.
Her fully deployed gaffed main was something to
behold. She was simply gorgeous in a very muscular
way, and our Sunday’s sail was entirely
fulfilling. Other craft couldn’t stay away,
complimenting us on the gull-like manner of her
full sail set, her lines from a by-gone era, as
well as the cockpit-bound helmsman…Peter’s black
lab Wintonka. After trying her up and making her
secure, I was feeling quite satisfied and looking
forward to a cold beer and a generous hot bowl of
stew at one of the local pubs. As we stepped along
the back of the pier-way, a number of hulks
decorated the usual bone yard one grows to admire
in most marinas. There amongst that collection was
a strange little lady.
Falling for Her
Initially, I noted her and moved on. But then,
steps were retraced. I asked Peter if he knew
anything about her. He answered in the affirmative
with the astounding claim that the craft was his.
My thirst and hunger left me as we peeled back her
covers. There she was…all 20 feet of her (bowsprit
included) at an absurd 7-1/2 feet at the beam.
Custom built in 1940-41 from a mid-twenties
design, she looked so winsome, perched up there on
her cradle, caulk drooping out of her hull’s strip
planking joints. She had suffered 3 seasons stone
dry…and she had me from very first sight. Her
spars, hardware, instruments, standing and running
rig all indicated a builder who had outrageous
desires to take her into blue water. Her teak
topsides were still pristine thanks to a well fit
cover. Her cockpit was extraordinarily deep with
high comings, and her cabin was a thing of beauty,
with all the features of an ocean-going vessel.
She continues to persuade observers that she is
another 5 feet larger than she is…if not more. In
spite of her old-school dignity, she was fitted
and shaped in such a way as to invite unexpected
speed. I was lost to this little gem, in spite of
an inclination for ocean sailing aboard 40 to 60
foot fully founded vessels that hold another
special place in my sailor’s heart.
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Photo of the boat on its cradle prior to
restoration… |
Restoration…Going Forward
In the late fall, last year, Peter agreed to
commit the boat to a consortium ownership plan
which would in turn undertake a very serious
restoration project directed by the well
established White Bear Boat Works crew. Hauling
the boat from Bayfield to White Bear Lake had some
interesting challenges, which in spite of them,
landed the craft in good order at WBBW’s shop.
Jason Brown, WBBW’s principal, and Eric Hegland,
WBBW’s lead tradesman, equally have fallen hard
for the little craft. These two invite your
stopping by for a look-see. Even as a work in
progress, our little “Guppy” captures imaginations
and conversation. Detailed inspection of her
revealed virtually no rot ( a wonderful surprise).
Several damage zones appeared to be easily
restored to a sound condition. We quickly drafted
a scope of work, a division of labor, a few
feature modifications, and a potential expanded
sail plan…and set to work. I ran all about her,
taking measure of everything, and so have produced
an architectural line drawing of the boat which
serves well in our planning as well as
appreciating the genius of her design. We are all
pumped about getting her splashed in the early
coming season where she will be berthed at WBBW’s
Marina.
Getting Intimate with Her
A great example of the work had to do with the
tedium of stripping, scrapping, sanding the hull,
and then facing the nasty business of going after
the even more tedious work of caulk removal. Plank
strips had a bevel joint on the adjoining buried
faces. The years had formed a wide variety of
joint gaps. Replacement spotty caulking had every
variable imaginable, some almost falling out, some
just plain stubborn beyond words or reason. We
messed around with about every tool that we could
come with to make the job easier, but it gave way
only to peck, pry, saw, pluck techniques
accompanied by salty expressions. Some earlier
additions to the ship’s ballast included steel
tubes scabbed onto the keel which were not
entirely conducive to a smooth and speedy ride. A
new keel wrap in steel featuring a “wing” were
employed given the advice of marine engineering.
After a test season under genoa and main, we are
expecting to add a baby stay with staysail, a
topsail, a larger 165% genoa forward, and a
spinnaker from the masthead. There are already
“strings” all over the place for her running
rig…so prudence will have to be employed.
The Ownership Consortium
Typically, a wooden craft’s restoration
constitutes a labor of love and a measured
awareness of costs is necessary, in that the craft
ends up in a very unique market when resale is to
be considered. Similar concerns are involved in
insuring the boat. We are following all these
related matters and have concluded that a
composite, or consortium ownership plan will make
the entire venture more feasible as well as
developing some real “people skills” amongst the
owner-crew participants while participating in a
truly unique sailing experience. We intend to race
the boat ( a three-man crew with spinnaker) under
PHRF rules with the Black Bear Yacht Racing
Association, and as stated above, keep her berthed
at White Bear Boat Works. Sailors interested in
participating in this venture should contact
Granger Whitney 651-493-3859 (cell: 651-235-3668).
Granger B. Whitney is currently a co-owner of a
Holder 20 on White Bear Lake, Minnesota, while a
steady bi-annual charterer in Lake Michigan.
The Little Boat Story
by Peter Gesell
This is a story of a little Boat that could. The
boat, Shel-Lon, as she was known to her builder
and creator, Lee Pastor and sole owner for over 60
years. My history with the boat is limited to the
past few years. I found her at Hooper’s Yachts,
Afton, MN. She was an anomaly in a number of ways.
The first being the beauty and shape of her hull.
When you see her you will understand what I mean,
I believe. Although it was love at first sight,
for me, I could not quite bring myself to the
point where I felt that I could justify buying and
owning a sailboat, let alone a wooden one. From
the first time I saw her, and climbed aboard her
beauty was apparent. In the interim, I continued
to consult my copy of Details of Classic Boat
Construction by Larry Pardey and the latest
editions of Wooden Boat Magazine. I dreamed of
building my own little wooden boat. However, a few
more visits over the next year to the boat Yard;
she captured my imagination. Following one of
these visits; I was convinced; then I was pulling
her out of the yard.
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Architectural line drawing of
the boat's elevation, intended sail plan |
From Hooper’s I took her to the St. Louis River;
Spirit Lake Marina, to be exact. I had hoped to
move to Duluth, so I thought no better place to
begin my adventure with this little boat. Besides
I had had a wonderful conversation with the owner,
Jim King. I say that because that fall Jim had a
untimely death as a result of a boating accident.
That fall, while most boaters were in the process
of pulling their boats out of the water I was
happily going in. The memory of seeing that boat
being held in the slings of that seemingly very
large Marine Travel Lift will not leave me soon.
She seemed so small for such a large piece of
machinery. Once in the water, she took on water,
lots of it. But as she sat in the sling over the
next few hours her planking swelling up, the
inflow subsided to a trickle.
Once we got the mast up I took to acquainting
myself with the boat. Of course my dog, Tonka,
seemed as intrigued by her and was more then
willing to come aboard and join the adventure. I
can easily recall how fascinated I was with every
corner I turned with her. From the wiring to the
stereo to setting the sail to discover what a Gaff
Rig truly meant. (I really was a newcomer to this
whole idea). There was depth gauges with wind
speed and direction indicators. Complete with a
refrigerator, fresh water and a biffy. Well that
first sail out into the river was a truly
tremendous occasion. The Fall colors had come to
that part of the world and the sun was shining.
Although, the river is not the best place to sail
a boat with a full keel. I continued to enjoy and
discover the joy of sailing that fall. Believing
that I was going to commence work on some of her
issues I dry docked her at Spirit Lake that
winter. I did end up moving to Duluth early the
following year and eventually found an inside
storage site at the Clyde Iron Works.
That second winter she looked quite lonely sitting
in that huge empty space, but Alex, who was
developing the site said he always loved going
down to look at her as he moved through the
development process. The project, of retrofitting
the boat, slowed as I struggled to make this boat
a priority. Unfortunately she went by the wayside
as I began to look at larger and more complete
vessels, of wood and sail. I came close to
purchasing two different boats, but could never
let the little one go. When I finally did find
another boat, I hauled her over to Bayfield to sit
in Ken Dobson’s “Boat-Yard”. That is where she and
Granger were introduced. Because Shel-Lon has been
in the area for such a long time, many people have
come to know her.
The builder, Lee Pastor was connected with Ford
Motor Co. We believe that he built the boat while
he was living in the Chicago area and then brought
it with him to St. Paul. When I recently caught up
with Jim Johnson of Seven Seas, at the Minneapolis
Boat Show, he was more then pleased to talk about
his remembrances of the boat and it’s builder. The
first piece was that Jim had sold Lee his flat bed
trailer. The boat and cradle rests on the trailer,
which were all very nicely done. Jim also
recounted, remembered the very large outboard (an
18 hp. mercury), which he speculated was something
Lee would use with some frequency, when the Boat
was kept on Lake Pepin. In further questioning,
Jim recounted how Lee would frequent his shop
knowing exactly what it was he wanted, not
consulting or asking Jim what his thoughts would
be on the matter at hand. Apparently Lee knew
exactly what it was he was after and did not much
consider what others thought at that point in the
process. By looking at the boat you can pretty
much tell that he had done quite a bit of updating
to the rig; there is a roller furling jib and a
crank boom for reefing. It is the hull design
which is of so much interest.
The symmetry of such a small craft lends itself to
a time bygone. Many who see this “little” big boat
suspect that it might be of a Herreshoff design. .
A designer who for many was and is the greatest
this country has seen. Herreshoff’s design and
boats constructed where of a great notoriety. Our
little boat is reminiscent of this by-gone era of
sail. When perhaps the only means of propulsion
was that harnessed by the wind. Granger, has said
that he felt she might be of a design such as a
harbor tender. Whatever its influences of design
or actual plans from which it was built, the
little boat continues to capture peoples
imagination wherever she goes.
Peter Gesell of St. Paul, Minnesota, has been a
“Hoofer” at Madison, Wisconsin. He’s always wanted
to build his own sailboat.
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